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Monthly Archives: September 2011

It’s Alright To Like Nick Lowe

16 Friday Sep 2011

Posted by leastconsidered in music

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Nick Lowe has a new album out titled The Old Magic.   Terry Gross interviewed him yesterday on Fresh Air.  Here is the link:

http://www.npr.org/2011/09/15/140037218/the-fresh-air-interview-nick-lowe?ps=mh_frhdl1

In keeping with the theme of the last post: Reading is Fundamental, I include the new Lowe song I Read A Lot.

I Read A Lot

Enjoy.

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Reading Is Fundamental

13 Tuesday Sep 2011

Posted by leastconsidered in books

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Currently Reading: 

The Grapes of Wrath   John Steinbeck

My family on my mother’s side is from Oklahoma.  While I have read other Steinbeck novels, and find the John Ford film to be one of his finest, especially Henry Fonda’s portrait of Tom Joad, I am just getting around to the novel.  I would recommend the Viking Critical Library Edition containing essays that give it historical context.

American Terroir   Rowan Jacobsen

This is a fascinating account of how geography, cultural tradition, and a little  happenstance give our food a uniqueness we take for granted considering the rather historically late homogeny of the super-martket.  Jacobsen covers, maple syrup, coffee, apples, potatoes, oysters, avocados and salmon.

Read of late:

 Time Must Have A Stop  Aldous Huxley

This could be a life changing novel if read at the right time.  The question of How To Live One’s Life, is conveyed by a brief meeting between uncle and nephew: one looking back and the other forward.   What is important to live a meaningful life? If meaning indeed is to be found.

 How I Live Now  Meg Rosoff

A novel that lives in the moment.  How I Live Now is classified in the Young Adult genre, but Rosoff has written a transcendent novel in any genre.  She captures an idyllic that subtly shifts to the uncertainty of live during war as told though her young narrator fifteen-year-old Daisy.

 Revolutionary Road   Richard Yates

Unfortunately Richard Yates is an under-read writer.  Like Leonard Cohen, people seem to find his truths depressing and miss the humor.  Yates characters are brilliantly and realistically tragic: caught between the lives they don’t want, yet unable to articulate the desires of the lives they long for.  Vintage UK is adding a bitter-sweet element in publishing the series Vintage Yates: the covers are period advertisements: visuals of the ideal, yet remaining ironically inchoate.

Summer Solstice Sacrifice

12 Monday Sep 2011

Posted by leastconsidered in Photography

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A witch burning as a Danish tradition of summer solstice a few years back in western Massachusetts.

Fall In New England

11 Sunday Sep 2011

Posted by leastconsidered in Photography

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Northern New Hampshire in early autumn 2005 I think.  As fall is coming on I am in California and missing the turn of seasons in the east.

The Corner Where My Parents Met

11 Sunday Sep 2011

Posted by leastconsidered in Photography

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This is the corner  in Oklahoma City where my parents met in 1951 as photographed by me in 2004.  She was a beautician; he the postman.

Obscure Jazz Bassist Mourned By Two Collectors

08 Thursday Sep 2011

Posted by leastconsidered in humor

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Best known as the most obscure bassist in jazz history, Eiliv Bolstad died in Oslo yesterday. Or perhaps the day before yesterday; possibly even the day before that.

Best known for his presence on Anthony Braxton’s seminal 1970 solo saxophone recording  “For Alto,” Bolstad was mourned by Brooklyn New York natives and jazz aficionados Benjamin Levine, and Mark Goldberg.  Mr. Levine and Mr. Goldberg who have lived next door to each other since early childhood, and continue to do so in respective basements, plan to commemorate Mr. Bolstad’s life by playing all the recordings Mr. Bolstad played on, or rumored to have play on.

Mr. Bolstad is documented in studio logs as recording in the adjoining studio at the time of Braxton’s “Alto” sessions. “I believe Eiliv sat in on some of Braxton’s  “Alto” sessions,” recalled Mr. Levine. Pressed to authenticate, Mr. Goldberg added, “ Well, no, he didn’t play, but he did sit in.  That he influenced these recordings there is no doubt.”

Asked to comment, Mr. Braxton stated he had never heard of Mr. Bolstad.

Collectors Levine and Goldberg argue over who first introduced Mr. Bolstad to whom. Also being contested in New York State Appellate Court is ownership of Mr. Bolstad’s only solo album, which at press time was not able to be located by either party.  Mr. Levine claims it was traded for a recording by stride legend Willie “The Lion”Smith.  While Mr. Goldberg insists he would not have traded it under any circumstances

Research has not proved the existence of any recording by Mr. Bolstad.

Meanwhile the litigation continues.

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